joscelyn gardner
GROUP / INTERNATIONAL EXHIBITIONS
2023 Her Blood Spoke: Joscelyn Gardner, Kara Springer, and Alberta Whittle, curated by Julie Crooks and Alexa Greist, Fodor Gallery, Art Gallery of Ontario, Toronto, ON
2022 Our Colonial Inheritance, Tropenmuseum, Amsterdam, Netherlands (semi-permanent exhibition)
2022 Forecast Form: Art in the Caribbean Diaspora, 1990s-Today, curated by Carla Acevedo Yates, Museum of Contemporary Art
Chicago, Chicago IL, USA (catalogue)
2022 In Two Places, Satellite Project Space, London, ON and The Brighton Storeroom, Barbados
2021 QUINTessence: (5)5 Stages of Change through Barbados' National Collection, curated by Katherine Kennedy, National Cultural
Foundation virtual exhibition, Barbados (catalogue)
2021 The Botanical Turn, curated by Helen Gregory, McIntosh Gallery, London ON (catalogue forthcoming)
2021 En tierra estéril convertida, curated by Emilia Quiñones Otal, Museo de Arte Contemporaneo de Puerto Rico, San Juan, Puerto
Rico (catalogue forthcoming)
2021 Between Islands, virtual exhibition curated by Natalia Viera Salgado, Museo de Arte Contemporaneo de Puerto Rico
2020 Flora: mellem planter og mennesker, curated by Vibece Salthe, Randers Kunstmuseum, Denmark (catalogue)
2019 The Missing Circle, curated by Magalí Arriola, Museo de Arte Moderno de Medellín, Medellín, Colombia; Museo Amparo,
Puebla, Mexico (2020)
2019. What plants can tell, curated by Marie Perrault, Stewart-Hall Gallery, Pointe-Claire, Quebec
2019 Botanic Fictions - On the Political Narrative of Plants, curated by Anja Lueckenkemper for Goethe-Institute Athens, Athens,
Greece
2019 Sick and Desiring, curated by Nora Heidorn, commissioned for Bergen Assembly 2019 Actually, the Dead Are Not Dead,
Hordaland Kunstsenter, Bergen, Norway (catalogue)
2019 Flora: Between Plants and People, curated by Vibece Salthe, Stavanger Art Museum, Stavanger, Norway (catalogue)
2018 The Living River Project: Art, Water and Possible Worlds, curated by Patrick Mahon and Stuart Reid, Art Gallery of Windsor,
Windsor, ON (catalogue)
2018 Poeticas de la Costa, curated by Nelson Gonzalez, Miami New Media Festival, Aruba Art Fair, San Nicholas, Aruba
2018 Bodies Under Pressure, curated by Riva Symko, Kimora Gallery, University of Alaska Anchorage, Alaska, USA
2017 Cosmopolis Biennial, Centre George Pompidou – National Museum of Modern Art, Paris, France
2017 II Bienal del Sur, Pueblos en Resistencia, Invited Artist, Museo de Bellas Artes, Caracas y Zona Bienal Parque Los Caobos hasta el
Museo de Arquitectura, Caracas, Venezuela (catalogue)
2017 A New Region of the World, curated by Olga Stanislawska and Anna Bargiel, Bunkier Sztuki Contemporary Art
Gallery, Krakow, Poland (catalogue)
2017 We Have Met Before (4 artists), curated by Veerle Poupeye & O'Neil Lawrence, National Gallery
of Jamaica, Kingston, Jamaica (catalogue)
2017 History + Infinity: A Caribbean Masters Exhibition (CARIFESTA XIII), curated by Therese Hadchity, Grande Salle, Bridgetown,
Barbados (catalogue)
2017 Contour Biennale 8 Polyphonic Worlds: Justice as Medium, Mechelen, Belgium, http://contour8.be/
2016 Turning Tides, curated by Johanna Auguiac and Tumelo Mosaka, Memorial ACTe, Caribbean Centre for Expressions and
Memory of the Slave Trade and Slavery, Pointe-a-Pitre, Guadeloupe (catalogue; cover image)
2016 Beyond the Norm: International Juried Print Exhibition, juried by Susan Tallman, University Galleries, Illinois State University,
USA
2016 International Print Alliance Exhibition 2016, Canada submission curated by Mark Bovey, Taimiao Art Gallery, Beijing Working
People’s Cultural Palace, Beijing, China. Touring to Nanjing Jinling Art Museum, Tianjin Art Museum, Shijiazhuang Art
Museum, and Shenzhen Guanian Original Printmaking Museum in 2017 (catalogue)
2016 Botany Under Influence (6 artists), curated by Clelia Coussonnet, APEXART NY, NY, USA
2015 Statements (10 artists), SNAP 3, 3rd International Printmaking Symposium, Kloster Bentlage, Rheine, Germany (catalogue)
2015 Corporalidades, curated by Carla Acevedo-Yates, Fundación Casa Cortés, Old San Juan, Puerto Rico (catalogue)
2015 Resonance - Canadian Printmaking (30 Canadian printmaking artists), curated by Jiaqi Wu, Shengzhi Art Centre, 798 Art
District, Beijing, China (hard cover catalogue published by Hunan Fine Arts Publishing House)
2014 Prospects of Empire: Slavery and Ecology in Eighteenth-century Atlantic Britain, curated by Hazel V. Carby and Heather
Vermeulen, The Lewis Walpole Library Gallery, Yale University, New Haven, CT, USA (catalogue)
2014 Nuit Blanche London, 402 King St., London, ON
2014 FLOW: Economies of the Look and Creativity in Contemporary Art from the Caribbean, curated by Elvis Fuentes, IDB Cultural
Center, Washington DC, USA
2014 Caribbean Crossroads of the World, curated by Elvis Fuentes, Perez Art Museum Miami, Miami, FL, USA (book)
2014 After the Flood, Transforming Spaces (TS2014), curated by Holly Bynoe, Liquid Courage Gallery, Nassau, Bahamas
2013 Boston Printmakers 2013 North American Print Biennial, juried exhibition, Art Institute of Boston, Boston, MA, USA
2013 Caribbean Cream: On the Verge, curated by Reynald Lally, BrutEdge, Mana Contemporary,New Jersey, US
2013 Critical Mass (International Exchange Portfolio) shown at SGCI Conference PRINT:MKE, Milwaukee, Wisconsin, USA;
in.print.out Triennial University of Applied Arts Vienna, Vienna, Austria; Little Gallery, University of Calgary, Calgary, AB;
Estampa Print Fair, Madrid, Spain; 150 Cicles International Project, Fundacion ace, Buenos Aires, Argentina; Fundacion CIEC,
Centro Internacional de la Estampa Contemporanea, Betanzos, Spain; Little Art Parlour Gallery, Novi Sadl, Serbia; GaleRica in
Makarska, Croatia
2013. VOLTA NY 2013, International Art Fair, ARC Special Project (2 artists), New York, USA
2012 New Prints 2012/Autumn, juried exhibition, International Print Center New York, New York, USA;Visual Arts Center of the
University of Texas, Austin, Texas, USA (2013)
2012 22 Maximo Ramos International Biennial Award for Graphic Arts, Centro Torrente Ballester, Ferrol, Spain (catalogue) Awarded
Honourable Mention
2012 Who More Sci-fi Than Us? Contemporary Art from the Caribbean, curated by Nancy Hoffman, Kunsthal KAdE, Amersfoort, The
Netherlands (catalogue)
2012 6th International Printmaking Biennial of Douro, commissioned by Jo-Ann Lanneville for Canada, curated by Nuno Canelas,
Alijó, Portugal (catalogue)
2012 Global Caribbean, curated by Edouard Duval-Carrie, Fondacion Clemente, Martinique
2012 Canada Pavilion, curated by Guy Langevin for the 3rd Qijiang International Print Festival,Printmaking Artist Village, Qijiang,
China
2011 About Change, curated by the World Bank Art Program, The World Bank Group, Washington, DC, USA (catalogue)
2011 China Invitation Exhibition of Prints, China Print Festival, Southwestern Academy of Fine Arts Museum, Chongqing, China
2011 Signos Vitales: Nuevas Adquisiciones del MAC 2009-2011, Museo de Arte Contemporaneo (MAC) de Puerto Rico, Puerto Rico
2011 Unconventional Meets Traditional, Open Studio Booth at Art Toronto 2011, Metro Toronto Convention Centre, Toronto
2011 9th Biennial Exhibition, juried by Alexandra Schwartz, A.I.R. Gallery, Brooklyn, NY, USA
2011 La Biennale Internationale d’estampe contemporaine de Trois-Rivieres, Quebec, Canada (catalogue) Awarded Grand Prize
2011 Global Caribbean, curated by Edouard Duval-Carrie, Museo de Arte Contemporaneo (MAC) de Puerto Rico, Puerto Rico
(catalogue)
2011 Canadian Impressions, curated by Felix Angel, IDB Cultural Center, Washington DC, USA (catalogue)
2011 Wrestling with the Image: Caribbean Interventions, curated by Christopher Cozier and Tatiana Flores, Art Museum of the
Americas, Washington DC, USA (catalogue)